#three-dimensional texture

[gigivas]

1K GIGI Prompts Collections 'Vibrant Brushstrokes: Martial Arts Moonlit Duel' 5587 Free 10 pages out of 1000 pages

Get Free 10 pages MTMEVE00530G_60_0001 – 1K GIGI Prompts Collections – Vibrant Brushstrokes, Martial Arts Moonlit Duel 5587 10PagesDownload 1K GIGI Prompts Collections ‘Vibrant Brushstrokes: Martial Arts Moonlit Duel’ 5587 series provides two documents, one document is 10 pages of prompts in 1000 pages, available for free download. One document is the complete 1000 pages of prompts, this is a…

[olenaart]

“Impasto Wildflower Symphony” https://www.artfinder.com/product/impasto-garden-symphony-c9865/ A Lively Meadow in Colorful Relief

Impasto Garden Symphony

Step into the vibrant and textured world of “Impasto Wildflower Symphony”, an enchanting artwork that celebrates the exuberance of a blooming meadow. This three-dimensional masterpiece bursts forth with expressive character, capturing the essence of nature’s joyous field.

Key Features:

Impasto Technique: The artist skillfully employs thick impasto strokes, breathing life into the vivid flowers. Each brushstroke adds dimension, making the scene dynamic and captivating.

Rich Palette: Reds, pinks, yellows, purples, and blues intermingle harmoniously, mirroring the riotous hues of a sun-kissed meadow.

Textured Delight: Dabs and splatters of paint create a tactile experience, inviting viewers to explore the wild growth of the landscape.

Three-Dimensional Wonder: The canvas comes alive, inviting you to immerse yourself in the blossoming beauty.

Don’t let this unique and captivating artwork slip away. Add “Impasto Wildflower Symphony” to your collection and revel in the expressive nature of a flourishing meadow. 🌸🎨🌿 #texture #colourful #acrylic #canvas #vibrant #relief #pallet knife #artwork #painting #wildflowers #meadow #impasto #colorful #vibrant #dynamic #expressive #nature #texture #blooming #richpalette #three-dimensional #joyousfield @Artfinder @ArtRepublic

[k00299892]

LSAD RADIUS Project

Week 3 Part 2

3/10/23

Today I used wire to make a 3d version of a boat it was difficult at first but once I started making it with wire it slowing made shape and resembled a boat

I used fabric as tracing paper to trace over a drawing I did of the Curragower boat club using pen.

I used a sewing needle and thread over the drawing I did to bring the drawing to life and give a different texture to my drawing.

[meo-eiru]

hello hello this is devo from @devotion-disorder... THANK YOU so much for drawin my boy so UNO REVERSE!!!!!!!!!!! your priest boy Micah is very very pretty i hope i did him justice...!!!!!

AAAAAAAAAAAAAAAAA!!!!!!!!

BEAUTIFUL! SO BEAUTIFUL!! HE LOOKS SO SOFT AND PRETTY LIKE AN ANGEL??? DON’T DO THIS TO ME HE ALREADY HAS ME IN A CHOKEHOLD!!!!

I love your art soo much god you are so good at using colors and giving the image a three dimensional, textured feeling… Like oh my god if I was passing by and he threw me a look while looking like that I would fold INSTANTLY

[blogport]

EPOXYSHİNE - DRAGON+ (3)

Epoxy floor coating is not just a practical choice for enhancing the durability of your flooring; it's also a stylish solution that can transform any space. Whether you're a homeowner looking to revamp your garage or a business owner seeking reliable commercial flooring solutions, understanding the benefits of epoxy will help you make informed decisions. As you search for "floor polishing near me," consider how an expertly applied epoxy coating can elevate your interiors while providing a long-lasting finish. 

Epoxy Floor Coating

Epoxy floor coating is a highly durable and resilient flooring solution that has gained popularity in both residential and commercial spaces. This type of coating is made from a combination of resin and hardener, creating a strong bond when applied to existing concrete surfaces. The result is a seamless surface that can withstand heavy foot traffic, chemicals, and abrasions.

One of the major benefits of epoxy floor coating is its versatility. It can be customized in various colors and finishes, including high-gloss and matte textures. This means that property owners can choose a look that complements their interior design while still providing the durability they require. Additionally, the smooth finish of epoxy makes it easy to clean and maintain, which is particularly advantageous in commercial settings.

Furthermore, the installation process for epoxy floor coating is relatively quick, often completed within a few days. However, it’s essential to hire professionals who have the expertise and equipment to ensure a flawless application. The right team will properly prepare the surface, allowing for optimal adhesion and longevity of the coating.

Floor Polishing Near Me

When searching for floor polishing near me, it's essential to find a service that not only meets your expectations but also understands the unique needs of your flooring. Professional floor polishing can revitalize old surfaces, restoring their shine and luster while protecting them from future wear and tear.

Many local companies offer specialized services in floor polishing that cater to various materials, including hardwood, tile, and concrete. A quick search in your area will yield numerous options, allowing you to compare prices, services, and customer reviews to find the best fit for your needs.

Additionally, hiring professionals for floor polishing ensures that the job is done correctly and efficiently. They use advanced equipment and high-quality products that not only enhance the appearance of your floors but also extend their lifespan. So, don't hesitate to reac

Commercial Flooring Solutions

Commercial flooring solutions are essential for businesses seeking to enhance their aesthetic appeal while also ensuring durability and functionality. The choice of flooring can greatly influence the overall atmosphere of a commercial space, leading to improved employee morale and customer satisfaction.

Among the various options available, epoxy floor coatings stand out due to their seamless finish and resistance to heavy foot traffic. These coatings not only provide a sleek look but also protect the underlying surface from wear and tear, making them ideal for warehouses, retail spaces, and industrial environments.

Moreover, businesses often explore additional options such as vinyl flooring, carpet tiles, and laminate surfaces to meet specific needs. Each of these materials offers unique advantages, allowing business owners to choose the most suitable flooring solution that aligns with their operational demands and aesthetic preferences.

Metallic Epoxy Floor

A metallic epoxy floor offers a stunning visual appeal that enhances the aesthetic of any space. The reflective properties of the metallic pigments create a unique look, resulting in a three-dimensional effect that can mimic a variety of surfaces, such as water, marble, or even molten metal. This type of flooring is especially popular in modern homes, showrooms, and commercial spaces, providing an eye-catching yet durable surface.

One of the significant advantages of a metallic epoxy floor is its durability. This flooring solution is resistant to stains, chemicals, and impacts, making it ideal for high-traffic areas. Additionally, it is easy to clean and maintain, which means that business owners and homeowners can save time and resources. The seamless nature of epoxy flooring also contributes to a hygienic environment, especially in spaces like hospitals or laboratories.

Installing a metallic epoxy floor can be a customized process, allowing property owners to choose their preferred colors and patterns. Whether you’re looking for a sleek, industrial look or a vibrant, artistic finish, this flooring solution can be tailored to meet your unique vision. By consulting with professionals, you can ensure that your metallic epoxy floor is installed correctly and maximizes its longevity and beauty.

[dominiqueramseyart]

Your art is so cool. Like. The lines and the way you break down the shapes of three dimensional creatures and their textures (thinning of the fluffy dogs hehe) into something that feels like it’s quilted… so, flat but with a lot of cleverly executed textural details that make it feel like it has substance, and lines/use of space that make it feel like it has movement…

It’s all so cool.

Thank you! ;u;

[martassimsbookcc]

Hello guys! First of all happy new year ! Hope you had a great time out there :) 🎆

Today I'm writing this to explain why decimation of Sims 4 meshes is paramount while converting stuff. You know me, I don't like to make statements as english isn't my first language and I find it difficult sometimes to actually write things down - even in italian I struggle sometimes lol. BUT I think this would be useful to all the cc converters and creators out there. So please, take this as an advice, for the sake of our oldie and beloved Sims 3.

Little backstory: I was casually browsing tumblr the other day and stumbled across a beautiful food set converted from Sims 4 - which I immediately saw was high quality. Just for curiosity I downloaded it, checked the polycount of a random object (if you're new here it's the total number of polygons found in a three-dimensional model) and it had way too many polys: 28k vertices - 34k faces + 4096x4096 textures.

Sims 3 is quite an old game now. Every player had experienced lag and glitches at some point so it's very, very important to make the stuff you create/convert from other games suitable for it! Here comes to the rescue a super useful tool in blender called decimation. It basically "allows you to reduce the vertex/face count of a mesh with minimal shape changes", as said on blender website. In just 2 minutes and with not so much effort I was able to reduce those polygons down to 8,4k vertices - 7,4k faces. Do you see any difference? I don't honestly.

Optimization is the key. Converting from sims 4 is not just taking the mesh and textures and putting them all in Sims 3. I wish it was tho!

You're free to put whatever you want in your game but you have to think about the game performance as well. There are people who still play the game and as an ex player I got really upset when I had laggy gaming sessions.

Having said that, here's a tut about blender and the decimation tool, done by @simaddix and which I think covers every important aspect of that useful tool.

If you read this all, thank you! Now I can go back to convert new stuff :D

-Marta

[pmamtraveller]

WORN OUT /1889/ by HANS ANDERSEN BRENDEKILDE

It's a very touching painting: an exhausted laborer collapsed in the fields from extreme fatigue, a young woman yelling for help, probably his daughter. This dramatic moment shows the harsh realities of the agricultural life and the toll of physical labor.

The artist focused on a detailed and naturalistic representation that would bring out the harsh reality of the poor workers. The composition makes use of strong geometrical shapes; with the figures forming a triangle to guide the viewers' eyes through the painting.

Brendekilde captures exactly how desolate the subjects' lives are with his choice of muted and dull colors. The earthly tones contribute to the extremity of desperation and exhaustion. He deftly portrays the clothes that are worn out and the coarse texture of the surroundings, making the depiction of the hard life very three-dimensional.

Created during a period of social change in Denmark, it reflects the battle of the working classes against the effects of industrialization on the rural communities. It is a critique of the harsh conditions that laborers had to bear in a still feudal society.

[felassan]

just burbling about the new screenshots from this Twitter thread from a few days ago :) -

I like how they are showcasing different Rooks in the promotional and marketing material (lineages, classes, ethnicities etc). ^^ it shows the wide variety of Rooks we can make in CC. this human dude Rook is the one in the release date reveal trailer. look at the eyebrow game! :D and if you compare his facial hair to DA:I and stuff, it's come a long way just like the hair-hair. looks great! the pattern at Rook's collar is a pair of wings. I wonder if this Rook is a Warden, and they represent griffon wings, or being that a rook is a bird, this motif is a more general Rook thing?

the design of the armor Rook is wearing here (bandolier of pouches, the shoulder pieces, curved lines on the breastplate etc) reminds me of the 'iconic' armor Rook wears in the key art, just sans helmet and with hood down, in a blue tone instead of purple, and without the Veilguard symbol on the breastplate. I wonder if this scene is from somewhere in the early game, when the companions are probably at that point just Neve and Harding? maybe it's like, before they get a Veilguard symbol, they first need to, well, form Voltron the Veilguard in the first place, and recruit the rest of the companions etc.

the background is the shifting surface of an eluvian, either about to be used or having just been used (cool visual effect btw). the curving gold architecture of the buildings that can be seen in the other location through the eluvian there is ancient elven, so Rook must have just come from (or be about to go to) somewhere which has those style of buildings. maybe Arlathan Forest, maybe Solas' Ritual site in the Forest, etc.

elf lady Warrior Rook and Davrin. again great eyebrow game. :D she is so pretty. she also has the wing motif at her collar. again her armor looks like the key art one. hers is in a purple tone rather than blue like the Rook above though - is this due a dyeing system? ^^ this one has the Veilguard logo on it, so maybe this shot is from a bit later in the game after the Veilguard has been brought together? a few details of the armor are also different compared to above, like buttons. I wonder if this is due to rogue version of the armor vs warrior version, armor customization, or armor upgrade.

Davrin is so ears. I love elves with big ears like this. :D 2 elf warriors yeyyy

wherever they are in this scene, it looks to be inside somewhere.

Davrin looks amazing! the design of his vallaslin reminds me a bit of the Ghilan'nain vallaslin design from DA:I. there are some neat thoughts on the design of Davrin's armor here. :>

the detailing and texturing etc on Neve's clothes in this shot is craaazy (as in crazy good). even the netting on her hat/fascinator has a lil pattern in it. Tevene snakey scales, the folds of the fabric, raindrops on her clothes, the fact that the snake pattern on her hat is three dimensional..

Davrin and Neve - some of our companions love huge cool collars :D

also, just like her saunter, Neve's half-smile/smirk (dimple.. 🥺) here has me weak in the knees.

location: looks like some kind of ruin maybe? ^^

I wanna believe that our dragon hunter Taash is looking up here into the sky at.. a dragon :D I loved getting to see this detailed close up of her dragonscale shoulderpieces and her jewelry etc. in this shot we can see that her gold-plated horn has spiky triangle bits on it and more detailing on the faces carved on her horn cuffs and the dragon piece at her neck. also I'm not sure if it's just the angle in this particular shot, but her brow looks strong, which I love and think makes sense when big horns grow from your head. :>

[images source]

[gigivas]

1K GIGI Prompts Collections 'Vibrant Floral Still Life: Nature's Tranquil Beauty' 5948 Free 10 pages out of 1000 pages

Get Free 10 pages MTMEVE00566G_206_0001 – 1K GIGI Prompts Collections – Vibrant Floral Still Life, Nature’s Tranquil Beauty 5948 10PagesDownload 1K GIGI Prompts Collections ‘Vibrant Floral Still Life: Nature’s Tranquil Beauty’ 5948 series provides two documents, one document is 10 pages of prompts in 1000 pages, available for free download. One document is the complete 1000 pages of prompts,…

[olenaart]

“Vivid Blooms in 3D.” This textured painting of flowers uses a thick impasto technique to bring the blooms to life in a three-dimensional way. The vibrant, rich colors and pronounced shadows and highlights create a truly unique and tactile representation of floral beauty. It was a joy to create and I hope it brings joy to those who view it.#3D #3Dflowers #artcommission #artcommissions #art #texturedart #texture #paletteknifepainting #3dflower #sculptureart #OLenaArt #painting #floral #floral art #floralpaintings #smallpainting #floralpainting #artfinderflorals #abstraction #floralartwork #reliefart #reliefpainting #reliefpaintings #texturedart #sculpturepainting #paintingofflowers 🌿🌸🎨🌿🌸🎨 https://fineartamerica.com/featured/vivid-blooms-in-3d-olena-art.html @FineArtAmerica @FineArtAmerica @FineArtAmerica https://www.olenaart.org/workszoom/5487318/vivid-blooms-in-3d#/ @FASO https://www.artfinder.com/products/vivid-blooms-in-3d/preview/#/ @Artfinder

[butchdarling]

there is something really sweet about like. Traditional artists who use markers and airbrushes achieve the smooth rendering of digital art. About digital artists using paper textures and overlays to recreate a traditional look. About sculptors translating 2D characters into three dimensional spaces. 2D artists practicing lighting and shading to give their drawings a 3D form. So much of being an artist is being in love with other artists’ works.

[literaryvein-reblogs]

A Few More Art-Related Vocabulary

Lacquer: Any of a variety of clear or colored liquid coating substances that dries to a hard, durable finish, which can be further polished.

Leading lines: Actual or implied lines within an image that lead the viewer’s eye to another point in the image, or occasionally, out of the image.

Mammoth plate: A large glass plate measuring up to 18 x 22 inches, which is made sensitive to light and is used to make prints.

Marquetry: Numerous small pieces of wood or other materials that fit together like a puzzle and are applied to the surfaces of furniture. Marquetry patterns may be scenic, floral, abstract, or arabesque.

Medium (plural: mediums or media): (a) A material or technique used by an artist to produce a work of art, and (b) the adhesive that carries paint’s pigments.

Milliner: A person who designs, makes, trims, or sells women’s hats.

Negative: An image in which the colors, tones, and highlights are the reverse of those in the original subject. The film negative can be used to make a positive print.

Neoclassicism: The style of the Enlightenment in which artists focused on accounts of filial or national devotion, fidelity, and courage and sought to revive the ideal of classical Greece and Rome in architecture, sculpture, painting, and the decorative arts.

Nonrenewable resource: Natural resource that exists in a fixed amount and is being used up faster than it can be made by nature.

Orientalism: Refers to the imitation or depiction of aspects of Eastern cultures in the West by writers, designers, and artists.

Overmantel: An ornamental panel or structure above a mantelpiece (the protruding, often decorative shelf over a fireplace).

Painterly: Characterized by qualities of color, stroke, or texture perceived as distinctive to the art of painting, especially the rendering of forms and images in terms of color or tonal relations rather than of contour or line.

Pastels (also, fabricated chalks): Dry drawing media made from powdered pigments combined with nongreasy binders.

Patron: A person or group that supports artists or writers, especially by giving money.

Perspective: In art, a technique of depicting objects to convey the appearance of distance or depth on a flat surface. It is part of a mathematical system for representing three-dimensional objects and space on a two-dimensional surface by means of intersecting lines that radiate from one point (one-point perspective), two points (two-point perspective), or several points on a horizon line as perceived by an imagined viewer.

Photographic essay: A story illustrated through photographs, which may or may not be accompanied by text.

Phrygian [FRI-jee-an] cap (also, liberty cap): A soft, red, conical cap with the top pulled forward, worn in antiquity by the inhabitants of Phrygia, a region of central Anatolia. In the visual arts, it represents freedom and the pursuit of liberty.

Pinhole camera: A basic form of camera, usually the size of a shoe box, with a tiny hole for the opening and no lens. Light passes through the hole to form an inverted image on the film emulsion (suspension of one liquid in another).

Point of view: The place from which the viewer sees the landscape, or the place where the artist or photographer was sitting or standing when the picture was made.

Porcelain: A durable, fine-grained, nonporous, and usually translucent white ceramic ware that consists essentially of kaolin, quartz, and feldspar and is fired at high temperatures.

Source ⚜ More: Word Lists ⚜ Part 1 2

[accio-victuuri]

wang yibo - evisu

EVISU continues the unique denim aesthetics and integrates bamboo leaf green snake elements to create Wang Yibo's new racing paint 🏎️Multi-pocket denim family flower elements, rich texture and three-dimensional layers. Fluorescent green and denim blue collide to awaken the unique personality charm. EVISU No. 85 racing car is ready

[chi-va-piano-arriva-dopo]

Andrey Zakirzyanov, 3D Animation.

Vincent van Gogh, “Café Terrace at Night” on the Place du Forum, Arles (1888).

All animations were created without AI, but making use of various 3D software through careful texturing, modeling and conversion of two-dimensional images. The result is a realistic-looking reproduction perceptible as three-dimensional, thanks to the accurate calculation of perspective and the addition of colors, lights and shadows.

Music by Andrey Surotdinov.

[muffinshark]

hello! sorry if this gets asked a lot, but what layering technique do you use to be able to mimic the traditional paint feel in your digital paintings so perfectly? the final result in your works is amazing, and so entrancing too!

Hi! I've found that there are three things that really help get that gritty traditional paint feel for me. The first is including mixer brushes in my painting process; you can get multiple colors on each brushstroke with a photoshop mixer brush, and I found that sparingly using a mixer brush provides my work with more satisfying textures and dimensionality. I use Grzegorz Rutkowski's mixer brushes (he has a gumroad where you can buy them and imo they are worth it - his mixer brushes are included in his general photoshop brushes set, I believe, but I don't think you can go wrong with any of his sets/tutorials - he even has a "'Traditional look' in Photoshop" tutorial).

The second is having a noise layer: fill an empty layer over the artwork layers with 50% value gray, go to filter > add noise, set the layer to either overlay or soft light, and reduce opacity to your liking. Traditional work will never look as smooth and clean as digital work and that little bit of extra texture can do a lot.

The third and final thing is just finding different stock textures, such as paint strokes, grit, canvas textures, staining, and crackle, and adding them to layers set on usually either overlay or soft light at very low opacity. I paint traditionally as well, so sometimes I'll photograph particularly dimensional paint strokes on my oil paintings and use those as textures on my digital work.